Georges Seurat — World Gallery

Academic Male Nude

France · 1877 · Black Conté crayon

The Zone (Outside the City Walls)

France · 1882–1883 · Black conte crayon on cream laid paper

Study for "Bathers at Asnières"

France, 19th century · c. 1883–84 · oil on wood panel

Final Study for "Bathers at Asnières"

France · Post-Impressionism · 1883 · Oil on panel

A Sunday on La Grande Jatte — 1884

France · Pointillism · 1884–1886 · Oil on canvas

Seated Woman with a Parasol (study for La Grande Jatte)

France · Post-Impressionism · 1884–1885 · Black Conté crayon on ivory laid paper

Oil Sketch for "A Sunday on La Grande Jatte — 1884"

France · Post-Impressionism · 1884 · Oil on panel

Trees (study for La Grande Jatte)

France · Post-Impressionism · 1884 · Black Conté crayon

Woman Walking with a Parasol (study for La Grande Jatte)

France · 1884 · Conté crayon on cream laid paper

Tree Trunks (study for La Grande Jatte)

France · 1884 · Black Conté crayon on ivory laid paper

Woman with a Muff

France · 1884–1886 · Black Conté crayon

A Sunday on La Grande Jatte

Post-Impressionism · Seurat · 1884–1886

Pointillism's founding canvas — ten feet wide, built entirely from tiny dots. Parisians on a Sunday afternoon, rendered like nothing before.

At the Concert Parisien

France, 19th century · 1887–88 · conté crayon heightened with white chalk on cream handmade modern laid paper

Study for The Channel at Gravelines, Evening

France · 1890