Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background by Jean-Auguste-Dominique Ingres France, 19th century · 1800s · graphite
The Ponte dell'Abbadia at Vulci by Jean-Auguste-Dominique Ingres France, 19th century · first half 19th century · graphite
Jacques Marguet de Norvins by Jean-Auguste-Dominique Ingres France, 19th century · c. 1811 · lithograph
La Grande Odalisque by Jean-Auguste-Dominique Ingres French Neoclassicism · 1814 · Louvre, Paris A concubine reclines on impossibly long, boneless anatomy. Critics counted extra vertebrae; Ingres was not interested in bones — he was interested in line.
Frederic 5th Earl of Guilford by Jean-Auguste-Dominique Ingres France, 19th century · 1815 · lithograph
Honorable Frederic Sylvester Douglas by Jean-Auguste-Dominique Ingres France, 19th century · 1815 · lithograph
Katherine Anne Lady Glenbervie by Jean-Auguste-Dominique Ingres France, 19th century · 1815 · lithograph
Charles Thévenin, after Ingres by Jean-Auguste-Dominique Ingres France, 19th century · 1800s · graphite
Amédée-David, the Comte de Pastoret by Jean-Auguste-Dominique Ingres France · 19th century · 1823–1826 · Oil on canvas
Madame Désiré Raoul-Rochette by Jean-Auguste-Dominique Ingres France, 19th century · 1830 · graphite on cream wove paper
Antiochus and Stratonice by Jean-Auguste-Dominique Ingres France, 19th century · c. 1838 · oil on linen
Study of Hands by Jean-Auguste-Dominique Ingres France, 19th century · 1842 · graphite with traces of white heightening on ivory laid paper
Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult by Jean-Auguste-Dominique Ingres France · 1849 · Graphite