A Young Man with a Chain
Rembrandt van Rijn
34 works in the gallery.
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Rijn: Portrait of a Woman
The Strolling Musicians
Beggar seated on a bank
The Pancake Woman
Self portrait with Saskia
Rembrandt and His Wife Saskia
Self portrait with his wife Saskia
Self portrait in a velvet cap with plume
Self portrait leaning on a stone sill
Tobias Healing His Father's Blindness
Christ Taken before Caiaphas
The Monk in the Cornfield
The Hundred Guilder Print, central section
Christ Preaching ('La Petite Tombe')
Self-Portrait Etching at a Window
Self-Portrait Drawing at a Window
The Presentation in the Temple
The Blindness of Tobit: The Large Plate
Clement de Jonghe, Printseller
The Virgin and Child with the cat and snake
The Descent from the Cross by Torchlight
Christ at Emmaus: The Larger Plate
A Bearded Man Wearing a Hat
Ecce Homo. Christ Presented to the People
Shah Jahan
St. Francis Beneath a Tree Praying
The Phoenix or The Statue Overthrown
An Elderly Man in Prayer
Self-Portrait as the Apostle Paul
Rembrandt at 55, wrapping himself in the turban and sword-hilt of St Paul, gazing out with the exhaustion of his late self-portraits. Painted the year he was forced by bankruptcy to sell his house.
Syndics of the Drapers' Guild
Five cloth-quality inspectors and their servant, caught mid-meeting as if someone had just entered the room. Rembrandt's late group portrait — every figure independently alive, together still a board.
The Meeting of Christ with Martha and Mary after the Death of Lazarus
The Jewish Bride
A man places his hand on a woman's breast with a tenderness rare in 17th-century painting. Rembrandt laid on the gold of her sleeve with a palette knife; Van Gogh said he would have given ten years of his life to sit in front of it for two weeks.
Return of the Prodigal Son
One of the last paintings Rembrandt made. The father's worn hands on the kneeling son's back — one hand rough, one softer, as if both parents — is the emotional weight of a 30-year career distilled into a gesture.